By Rosanne Olson
Every little thing we see is lit by way of one resource or one other. The questions are: what and the way? that's what this publication is designed to coach you. via Rosanne Olson’s tried-and-true path on lights rules for images, video, and paintings as a rule, you can find how the angles and heights of your gentle assets impact your photos. you are going to find out how to paintings with mild modifiers to alter the standard of your gentle, and the way to manage gentle to create a sense of intensity and dimension—whether you’re taking pictures with normal gentle, non-stop synthetic gentle, studio strobes, committed flash, or a mixture of assets. Assignments are integrated that will help you positioned each one suggestion into perform as you ideal your talents and teach your eyes to work out the subtleties of sunshine. you are going to by no means examine a photo or portray within the related method once you learn this book!
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Extra info for ABCs of Beautiful Light: A Complete Course in Lighting for Photographers
This can be avoided by changing your angle slightly, using a lens hood, or having someone hold a card (called a “flag”) above your lens to block out the direct sun. When working outdoors with natural light only (as opposed to a combination of strobe and natural light, where there are more options), If flare is an issue, you can use pieces of foam core to flag the light. Sometimes, a little flare adds some interest to the image, so experiment with that when the opportunity arises. 58 ABCs of beautiful light The photo of the woman with the hat (left) was backlit.
If one of those changes (for example, if you move your camera position), then the direction of the light has changed in relation to the subject. Butterfly Lighting. The word “butterfly” comes from the shape of the shadow below the nose when the subject is lit from the front. The light has to be positioned slightly forward of the face (toward the camera) to bring out the butterflyshaped shadow. Loop Lighting. As we move the light a little to the side of the subject, around the Circle Assigning names to those light positions will help us discuss light as we move 360 degrees around the Circle of Possibilities.
Positioning. The art to using the incident-light meter is knowing where to position it to take the reading. If you are metering for an outdoor portrait, the meter can be fooled by tipping it up to the sky—the same way a gray card will give you an underexposed reading if you tip it to the sky. Photographers often use incident meters to get a sense of the difference between the light and shadow tones in an image. For example, imagine you are photographing a subject lit by a window. If you meter on the side away from the window (the shadow side), you will get one reading.
ABCs of Beautiful Light: A Complete Course in Lighting for Photographers by Rosanne Olson