Read e-book online Copyediting & Proofreading For Dummies PDF

By Suzanne Gilad

ISBN-10: 1118051319

ISBN-13: 9781118051313

Turn your knack for language right into a profitable career

Must-know innovations and assets for maximizing your accuracy and speed

Interested in turning into a copyeditor or proofreader? need to know extra approximately what every one task includes? This pleasant advisor is helping you place your self for achievement. Polish your abilities, construct a successful résumé and land the activity you've continuously sought after. Books, magazines, sites, company files - easy methods to enhance any kind of booklet and make your self fundamental to writers, editors, and your boss.

  • Balance among variety and rules
  • Master the artwork of the query
  • Use proofreader symbols
  • Edit and facts digital documents
  • construct a pretty good freelancing occupation

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Extra resources for Copyediting & Proofreading For Dummies

Sample text

Many critics, however, do find it meaningful to talk of the Al[th[s Historia (to cite the title of Georgiadou and Larmour’s detailed study) as ‘Lucian’s Science Fiction Novel’: Scientific knowledge in the fields of geography, astronomy, zoology and anthropology pervades the narrative, even if it is visible mainly through the lens of parody: the reader is constantly presented with information about Science Fiction and the Ancient Novel 29 islands, and rivers; the sun, moon and stars; plants, birds, fish and animals; and the customs and appearance of other beings.

It seems to me (to mention three eminent Catholic writers of the genre) that the ‘mystical’ turn in SF, the introduction of ‘magic’ (as in Blish’s Black Sunday), of God (as ‘The Outsider’ in Wolfe’s Long Sun tetralogy) or of miracles (in Miller’s Canticle) index an impulse to mark out that place where technology ends specifically as a magic, mystic area; the God of the Gaps of which the philosophers sometimes speak. Protestant traditions, such as produced writers like Stapledon, Heinlein or Robinson, are less respectful of the veil of the temple, and produce a different more fully scientific or knowledge fiction.

This seems to me no choice at all. And yet there is something in Lambourne’s ‘in fact’. A personal anecdote: I sat in a cinema audience in Aberdeen when the film Star Trek III: The Search for Spock was first shown in that city in 1985. In the film the Federation starship Enterprise has been stolen by its former captain, Kirk, so that he and a few of his friends can go on an unauthorised search for his colleague Spock, who is believed dead. This crew of paunchy old geezers finds Spock’s rejuvenated body on an artificially created ‘Genesis’ planet.

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Copyediting & Proofreading For Dummies by Suzanne Gilad


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