's Digital Photographer, Issue 174 PDF

Within the electronic Photographer Annual, we’ve compiled a wealth of beneficial properties and tutorials that cater for everybody, from novices to veterans. you could get pleasure from revealing interviews with the various world’s so much acclaimed photographers, observe the secrets and techniques to capturing attractive landscapes and wonderful photos with our technical publications, and get specialist pointers on snapping weddings, natural world and every little thing in among. that includes: a hundred and fifty specialist secrets and techniques - information from the professionals on a large choice of images types notion - Interviews with popular photographers on what will get their artistic juices flowing concepts - grasp complex concepts with our in-depth courses occupation - the right way to get your foot at the ladder within the aggressive global photography

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A single light source can be surprisingly effective if you use it carefully, and though the light from a bare bulb is harsh and unforgiving, in creative hands this can be a good thing, giving you punchy, contrasty illumination that works brilliantly on metallic objects, including something as everyday as cutlery. All you need to do is arrange some objects on a sheet of white card, position the lamp to one side or behind so strong shadows are cast, then fire away. If you’re sceptical at the start, you won’t be once you see the first image on the preview screen of your DSLR or CSC.

View the effect and tighten the lock when the verticals are straight. © Wolfgang Moritzer 1 Plenty of buildings are drab or neutral, but bright primary colours really attract the eye. Make a feature of vibrant structures as you come across them. LOOK FOR MIRRORS Experiment with different shooting angles to see what you can include in the reflection, as photographer Moritzer has done. com/wmoritzer) Focus manually Zoom in where contrast is high, such as where the sky meets the building edge. Rotate the focus ring until the edge is pin-sharp.

3 4 5 6 Difference Layer Load both images into Photoshop as layers, with the dark frame on top. Set the dark frame’s blending mode to Difference and see what effect that has on the original image. Layer opacities Setting the dark frame to 100% opacity will produce dark spots on the final image. To correct this, work with opacities between 15 and 50%, and see what works best for your image. Dark frame A 10-minute exposure was recorded immediately after this photograph in order to gauge where the hot pixels were.

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Digital Photographer, Issue 174

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