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Evaluate: F2 Freelance Photographer is the, London established, journal released ten instances every year for the freelance specialist, and semi-professional, photographer and everybody training a occupation as a self-employed photographer.

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Review: F2 Freelance Photographer is the, London established, journal released ten occasions every year for the freelance specialist, and semi-professional, photographer and everybody training a profession as a self-employed photographer.

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All the images shown are illuminated with the LED lights. Thankfully those photographers who decided to use flash were in the minority, so few images were spoiled by flash. The greatest problem was to capture an interesting smoke/steam trail, as the light evening breeze caused it to swirl. Over the course of the two hours I shot a couple of hundred images, which were edited down to around fifty keepers. Á The distance and movement of the hand-held LED light produced varying exposures. Facing page, the slightly lighter and brighter top image used a 13 second exposure while the darker one was actually at 25 seconds, both at ƒ16 to allow the walk round the engine to and avoid any ghost figures appearing.

In some ways it feels like setting your image in stone. eu/uk/products/photofinishing/photographic-paper/ ƒ2 Cameracraft May/June 2016 35 Fin e Art PROFESSIONAL QUALITY INKJET MEDIA PermaJet have enhanced their entire range of textured and smooth fine art inkjet papers. The finest cotton based surfaces available with professional quality inkjet coatings. com Image: Tom Barnes MEET THE ICONIC COLLECTION OF NEW ƒ2 CAMERACRAFT PORTFOLIO Steven Hirsch Mania Gowanus Waters ƒ2 Cameracraft May/June 2016 37 Helios Next spread, left: Styx Hephaestus 38 May/June 2016 ƒ2 Cameracraft Symplegades Next spread, right: Psamathe Theros ƒ2 Cameracraft May/June 2016 39 40 May/June 2016 ƒ2 Cameracraft ƒ2 Cameracraft May/June 2016 41 Steven Hirsch - a study of New York’s most polluted canal T he images look innocent enough – a collection of colorful abstract images beautifully printed and bound – but, like most things, the deeper you look, the more interesting it gets.

Working with traditional silver film, Carl appreciates the synergy between this product and a genuine silver halide paper such as Fujifilm’s Fujifilm Crystal Archive, but he’s also keen to tap into all the advantages that modern digital technology can provide. He scans his negatives and then carries out colour correction and sets tonal balance in Photoshop before sending the files off for printing. “While I do enjoy the diversity of papers you get with giclée printing there’s something very special about printing on a true photographic paper,” he says.

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f2 Freelance Photographer (May - June 2016)

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