Get The Newest Sappho: P. Sapph. Obbink and P. Gc Inv. 105, Frs. PDF

By Professor of Greek Philology Anton Bierl, Dr Andre Lardinois

ISBN-10: 9004311629

ISBN-13: 9789004311626

Within the most modern Sappho Anton Bierl and André Lardinois have edited 21 papers of world-renowned Sappho students facing the recent papyrus fragments of Sappho that have been released in 2014. This set of papyrus fragments, the best locate of Sappho fragments because the starting of the twentieth century, offers major new readings and additions to 5 formerly recognized songs of Sappho (frs. five, nine, sixteen, 17 and 18), in addition to the continues to be of 4 formerly unknown songs, together with the hot Brothers tune and the Kypris track. The members speak about the content material of those poems in addition to the outcome they've got for our figuring out of Sappho’s existence and paintings.

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Additional resources for The Newest Sappho: P. Sapph. Obbink and P. Gc Inv. 105, Frs. 1-4: Studies in Archaic and Classical Greek Song, Vol. 2

Sample text

Sappho fr. 11) or τ]ύ̣χ̣αν̣ bfo: μελλ]ίχ̣ ̣ αν̣ γλῶϲϲα[ν West (cf. Sappho fr. 6 μελλιχοφων[) after v. ) [1 or 5 lines missing] [ 3–4 ]λα̣[ [2–3]ϲέμα̣[ ἀλλ’ ἄϊ θρύληϲθα Χάραξον ἔλθην νᾶϊ ϲὺν πλήαι. τὰ μέν̣ οἴο̣μα̣ι Ζεῦϲ οἶδε ϲύμπαντέϲ τε θέοι· ϲὲ δ̣’οὐ χρῆ ταῦτα νόηϲθαι, ἀλλὰ καὶ πέμπην ἔμε καὶ κέλεϲθαι πόλλα λίϲϲεϲθαι ̣ βαϲίλ̣̣ η̣αν Ἤ̣ ραν ἐξίκεϲθαι τυίδε ϲάαν ἄγοντα νᾶα Χάραξον κἄμμ’ ἐπεύρην ἀρτ̣εμ̣́ εαϲ. τὰ δ’ ἄλλα πάντα δαιμόνεϲϲ̣ιν ἐπι ̣τ̣ρόπωμεν· εὔδιαι ̣ γ̣ὰρ̣ ἐκ μεγάλαν ἀήτα̣ν̣ αἶψα πέλ̣ ̣ ο̣νται.

I–ii), at a point where no other textual witness secures the join. However, further confirmation is found in the fact that Sappho fr. 15 Jurenka had already proposed πόντιαι (acknowledged by West) with reference to Pind. Nem. 36 (recorded in Voigt’s apparatus). West adds the parallel of Pind. Pyth. 2. ) writes that πότνιαι, ‘a common title of individual goddesses, suggests an august status that we do not associate with the Nereids as a collectivity’. Ferrari, however, makes the case for Πότνιαι forcefully, noting that ‘Elsewhere πότνιαι is said of the Eumenides (Soph.

105 fr. 3 cols. i–ii, where continuities of dark horizontal fibers can be seen continuing across the vertical join. e. 13 13 In Fig. 1, p. 37, Sappho fr. 9 (= p. gc inv. 105 fr. 1) is shown as ‘unplaced’, segregated at the far left. It is probably to be placed in the column after the one at far right in Fig. 1, p. 37 (with Brothers/Kypris Songs in the column to the right of that). For the new placement of 40 obbink Only the fragments overlapping with Sappho fragment 9 did not seem to fit physically or textually into this sequence.

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The Newest Sappho: P. Sapph. Obbink and P. Gc Inv. 105, Frs. 1-4: Studies in Archaic and Classical Greek Song, Vol. 2 by Professor of Greek Philology Anton Bierl, Dr Andre Lardinois


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